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0:00/0:12
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808 (Analog Glow ON) 0:120:00/0:12
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0:00/0:10
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0:00/0:10
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0:00/0:14
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0:00/0:14



For most of my professional life, I’ve been blessed with making my living working in music across many roles- recording, mixing, mastering, writing, performing, teaching, DSP, and live sound. Alongside that work, I’ve been programming on and off since I was young, and over the years that naturally started intersecting with how I navigate and solve problems in sessions. A large part of my engineering work was based out of a studio in Portland. When that space burned down, the structure of my day to day work changed, but the work itself didn’t stop. I spent that period going all in on programming, playing live shows, running front of house, and handling private events and winery gigs, while also rethinking which parts of my workflow needed to be portable, repeatable, and independent of a fixed room.
At that point, I started formalizing DSP tools I’d already been building and using privately. These weren’t experiments or product ideas- they were practical blocks I relied on to get consistent results without rebuilding chains from scratch. If something didn’t hold up across different contexts- recording, live sound, playback rigs, writing sessions, or later back in mixes, then it didn’t stay.
Over time, those tools accumulated into something coherent enough to stand on their own. That became TonalMark. Every plugin starts as something I’m already using in my own work. Once it reaches a point where I trust it enough to stop rebuilding it or second-guessing it, I release it exactly as it’s being used. Analog Glow came out of that process.